bahman namvarmotlahg; Parisa Alikhani
Abstract
The myth-religion of Sarai is one of the most popular and common traditions among the people of Azerbaijan. This myth-religion is the narration of the love of a girl and a boy, which leads to the suicide of the beloved due to the absence of the lover and the oppression of the village khan. This myth-religion ...
Read More
The myth-religion of Sarai is one of the most popular and common traditions among the people of Azerbaijan. This myth-religion is the narration of the love of a girl and a boy, which leads to the suicide of the beloved due to the absence of the lover and the oppression of the village khan. This myth-religion is rooted in the literature and art of the people of these regions and has a high value burden in the culture of this region. In this research, which has been done in a descriptive-analytical manner, the authors have tried to study the pattern of love in this narrative and extract its main feature. According to studies, according to René Girard's theory, the sacrifice of the beloved as a result of the desire to imitate and obtain the girl that most village men want, by the village house and the spread of violence among the villagers in order to Preserving the honor of the village - which is the candidate of another man - is known as the main model for this narrative. In this case, the suicide of the beloved is the only way out of this conflict in order to preserve the authenticity, loyalty and freedom of a woman and at the same time, prevent Khan from harming the health and security of the village. After this sacrifice, the victim became a myth and supported the Sarai religion, which is manifested through oral and written literature, music, poetry, theater and cinema.
Literary interdisciplinary research
alireza azizi yousefkand; bahman namvarmotlahg
Abstract
Corona is an unknown virus that transcends all natural and human boundaries and affects artists around the world. Kurdish artists have not been unaffected by this and have reflected this in their works. The purpose of this study is to study and analyze the consequences of Corona, in ﭼﺎ ﻏﻴﺮ ...
Read More
Corona is an unknown virus that transcends all natural and human boundaries and affects artists around the world. Kurdish artists have not been unaffected by this and have reflected this in their works. The purpose of this study is to study and analyze the consequences of Corona, in ﭼﺎ ﻏﻴﺮ one of its main., As an art in the works of Kurdish artists from the perspective of Gaston Bashlar's imaginative critique. In order to analyze the work of art, Bashlar pays attention to the author's imagination and uses the main and basic elements of the world (water, air, soil and fire) as the basis for recognizing the work of art and the artist's imagination because he believes that imagination is formed based on material forms. This research is qualitative in nature and is a descriptive-analytical research method. Also, information and data were collected using written sources and libraries, field, as well as the global information network (Internet) and seeks to answer the question: the impact of the Corona pandemic and the resulting atmosphere on Kurdish artists selected in this study and How have their works been? In this regard, first, by organizing a call and broadcasting it in cyberspace and society, communicating with artists in the field, etc., a total of 290 works in different artistic formats and with a focus on corona were collected. Then, according to the quality of the works collected in a purposeful way, the works of each artist from each Kurdish country "Iran, Iraq, Syria" were selected and the works of these three selected artists were analyzed from the perspective of Bashlar's theory. The results showed that the selected artists in this study referred more to their inner space and their works of this period tended more towards introversion and inner concerns of the artist and the direct reflection of Covid 19's effects in human society was less reflected in the works of these artists.
